Celebrity News
New book tells how Madonna was beaten by Warners
[HMG] – Like most performers, Madonna has a career that is founded on ego. But that unbroken love affair hit a wall when the singer met Edgar Bronfman.
A new book “Fortune’s Fool: Edgar Bronfman Jr., Warner Music, and an Industry of Crisis,” tells one story Madonna won’t leak to the press — How in 2004 she demanded $200-million from Warner Music for her stake in Maverick Records — and settled for $17-million.
Madonna formed Maverick in 1992 when she still had a career, then signed people like Alanis Morissette and Prodigy. But by 2003 the label was well past its prime. Madonna demanded $60-million from Warners for her 30% stake, but Warner’s just laughed – That was at least four times its true value.
In March 2004, Edgar Bronfman closed a deal to buy Warner Music, and Madonna’s demands became his first headache. Just three weeks later Madonna’s attorney, Allen Grubman told Edgar he had 24-hours to pay or Madonna would sue. And her price was now $200-million.
“This is nuts!” Bronfman replied. “Give us some time.”
But Madonna was determined to win – and bleed them dry – so Edgar got Warners’ lawyers to sue her first. That upset the former singer, who promptly filed her own lawsuit, still demanding $200-million and accusing Warners of ‘treason.’
On June 14th of 2004 she sold them her Maverick shares for just $17-million.
Three months later Edgar and Warner’s Chairman, Lyor Cohen gave Madonna a peace offering — The three met and she was presented with a small diamond bracelet.
“She was like a little girl,” Bronfman recalls in the book. “‘It broke the ice.’”
The singer promptly repaid this indulgence by signing a ten-year contract with Live Nation, at $12-million a year.
You can read the full story, and many like it when the book reaches stores at the end of this month…






how can you say “WHEN SHE STILL HAD A CAREER” in the third paragraph and then later say she signed a “$12 MILLION A YEAR DEAL FOR 10 YEARS”. uh, clearly that means she has a career
The writing is superb. Goodman gives the reader an accurate, nuanced and concise history of the music industry over the last dozen or so years, brilliantly weaving the Bronfman family saga into the narrative. He gives texture, simplicity and clarity to complex deals and Machiavellian plots without talking down to the reader. Read more here about this…
http://www.themusicvoid.com/2010/07/the-fool-on-the-hill/